But Greece is not as far from Africa as the North American continent is, and the modern construct of race, a pseudoscientific product of the Atlantic slave trade, would not be invented until thousands of years after Homer. Black people are depicted in Greek art. Egypt, Libya, and “Aethiopia” are frequently referenced in ancient writings. As the Black classics scholar Frank Snowden Jr. wrote in the 1970s, at least one of the characters in The Odyssey, Eurybates, is specifically described as “black-skinned and woolly-haired.” As the Stanford classics professor Sarah Derbew notes in her book Untangling Blackness in Greek Antiquity, Black people are referenced in plays by Euripides, Sophocles, and Aeschylus. They also appear in the writings of Hesiod and Herodotus. One of the lost epic poems is The Aethiopis, in which Memnon, the Aethiopian king and an ally to Troy, plays a major role.
Black people were not as uncommon in the ancient Mediterranean world as Nolan’s critics seem to imagine. But even if they had been, color-blind casting makes sense as an artistic choice for portraying the classics precisely because race as it exists today did not exist when The Odyssey was written. And no contemporary actor can actually claim the same descent as Helen, who hatched from a swan’s egg…
https://www.theatlantic.com/ideas/2026/07/odyssey-race/688058/
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